Tuesday, 27 August 2013

Katie Malco - Tearing Ventricles

Music that makes us feel sad, or expresses a sad emotion is often used as an easy trick, because it creates an emotional response in the listener very quickly, but Katie Malco isn’t using any cheap tricks on us here.  This EP is a true revelation of feeling, “leave the past where it belongs” she asks in an absolutely angelic, powerful, yet unnervingly delicate voice, backed by simple piano in a manner that Perfume Genius would be proud of.

Put simply, this EP transports you to a quiet space where all that matters is the words being sung, and the notes being played. It’s utterly captivating.
Tearing Ventricles is still going to be a jaw-dropping, heart-wrenchingly beautiful work if you buy it and only listen to it through your laptop speakers, or on the bus, or wherever. But on vinyl, or at least through ‘good’ (whatever that means) speakers, something seems to happen to an already magical EP - it’s worth noting that It is technically only available on vinyl, although that comes with a download code as well as a postcard with said code on it to send to a friend (another brilliant idea from our favourites Alcopop! Records).
It’s rare that I finish a review simply by saying “just buy it” because it’s kind of my job to tell you why you should do that, and it’s even rarer to come across a work that I think will appeal to almost everyone. But Katie Malco clearly has a rare, charismatic talent and has achieved in only 2 EPs what many never do in a career - to create something real and beautiful and wonderful.

Monday, 5 August 2013

What I’m Listening To This Week:

A selection of things I’m enjoying at the moment, new and old.

Fresh - Summer Camp; more slick pop from a band that roll out well crafted indie hit after hit without any difficulty. It’s got the hint of 80s and a strong hook that marks their sound; "do you remember the first time?" Sankey asks sweetly over a beat made for bopping about to in front of your laptop. It comes with a band made lyric video too.

Default Blues - Frightened Rabbit; this one builds a bit more slowly than what you might be used to with FR but once it hits the euphoric chorus it’s clear this is another gem from an astoundingly consistent band.

Aside - The Weakerthans; Not a new track by any means, but one of those painfully good angst-fests that sometimes gets forgotten about, but sounds better with every listen.

ONSIND - Sweet and Tender Julian; one of my favourite bands; a Durham based acoustic group with heavy punk influences but a very strong talent for hooks that you won’t even realise exist until a few days later when you’re singing. Lyrically they like to make a point and the single from their latest album ‘Anaesthesiology’ includes the fantastic chorus " “never trust a tory, they’ll betray you when it matters / They will scramble to the top and then they’ll kick away the ladder", as well as numerous
references within the album to current events (but never in a way that feels jarring, it fits perfectly).

The Pastels - Secret Music; perfectly executed dreamy, woozy summer pop

Runaround Kids - A Way That Works; another favourite band at LBW; joyfully noisy and achingly melodic in turn, a lovely track from a very good band.

The Front Bottoms - Peach; it is funny at first, but The FBs are a really really badly named band, they get away with it though. Their second album ‘Talon of the Hawk’ is as enjoyable as their first, if not more so. It’s aggressively affectionate and addictively emotional, every line feels like it needs to be shouted very loudly in a sweaty room of teenagers or scrawled in a diary. Peach is a sweet but somehow heartbreaking love song, every line that speak of happiness or love is followed by a painful truth.Only the FBs could craft with this level of mastery such a bitter-sweet song in the name of love.
 SPOTIFY PLAYLIST (not including the FR song)

Monday, 27 May 2013

HANDMADE FESTIVAL - Leicester, 24th-26th May ‘13


(Disclaimer: due to very badly timed exams we were unable to attend any of the Friday events, and had to leave early on the Sunday night, as such none of that stuff will be in this review).

City based festivals are the best of both worlds; a huge variety of music/events within easy reach for the simple price of a wristband, and a solid excuse to drink in the early afternoon but without any of the camping or mud. Leicester is a funny city, a huge percentage of it is beautiful, well maintained green spaces, but there’s also some really ugly concrete buildings, sitting right next to ye olde architecture and cosy narrow streets filled with boutiques and pubs. It feels deceptively small and suburban, but has a thriving music scene, thanks in no small part to the efforts of venue Firebug.


We start off the weekend by heading to Bishop Street Methodist Church to see Katie Malco. Her gentle but powerful vocals and charming between-song-chat are the perfect companion to the late afternoon sun that sneaks in through the church’s high windows. It’s an extremely engaging and impressive performance, she mentions that the next song she’ll play is a cover of a friend’s song that “he sometimes lets me play”. The song turns out to be a cover of the solo efforts of a member of Tellison. The high quality musical company she keeps is obviously doing no harm to her wonderful blend of laid-back yet highly emotive sound.

After a short break we head over to Firebug (only a wander away, there’s definitely something to be said for how easy to find and close the venues are). Upstairs the cheery sound of My First Tooth booms out, they’re slick and charming and a joy to watch. Then it’s another short walk to the People’s Photographic Studio to see We Were Promised Jetpacks. They’ve gathered quite a crowd and their gloomy yet commanding and distinctive sound is a nice contrast to the light-hearted efforts of the previous bands.

Johnny Foreigner are the final band of the night, we leave We Were Promised Jetpacks slightly early to ensure we’ll get into Firebug as the upstairs is not a big space. The Birmingham quartet are (as usual) huge fun. They begin the show by wandering in and out of the crowd singing ‘Johnny Foreigner VS You’ entirely a capella, a trick they used last time they played here but it’s such a touching and wonderful technique there’s no reason for them not to repeat it. The next forty minutes or so fly by and there’s a lovely moment of calm between the angstier tracks when Riff Glitchard  echoes out. It’s perhaps not the tightest song of the evening, but it’s so beautiful on record that doesn’t matter, and Johnny Foreigner’s charm has always come somewhat from their occasionally shambolic, but always enthusiastic and enjoyable performances.


Due to total exhaustion from a busy day yesterday we don’t make it to any of the venues until Sky Larkin at Firebug, which means we’ve missed The Handmade Cinema as well as a few other bands. Sky Larkin are fun to watch, they make good music and admittedly it’s perhaps a little samey live, but they’re all extremely talented and seem to throw out each track with utter nonchalance belying the complexity, and it might just be the way they refuse to pause (even for applause) between each track that makes everything feel a bit blurred together.

It’s unfortunate that we’ve not had much opportunity to see new bands, something that’s always an exciting prospect at festival (entirely my own fault, there’s plenty on here) but we make it over to The Guildhall in time to catch most of We Three and the Death Rattle. It’s obvious almost immediately that this is something special, the lead singer’s powerful stage presence is almost impossible to tear your eyes away from and the aggressive and rhythmic yet melodic sound echoes around the slightly incongruous setting (The Guildhall is a listed building and looks like this inside). They’ve got the swagger of Sleigh Bells and an unusual habit of playing the Theremin, which as a friend of mine remarks “is interesting, but never sounds nice”.
Back over to Firebug for the wonderful Tall Ships who are on their usual top form. We sneak out just as they finish what is possibly their most popular song ‘Ode To Ancestors’, in what is such excellent timing it might well have been planned.

The reason for our early exit is to catch another group representing the fantastic Scottish music scene, The Twilight Sad. Playing in The Guildhall seems the most natural thing in the world for them, it’s wonderfully creepy and the atmosphere is something no one in that room is likely to forget any time soon.

Handmade Festival is only in its first year but it’s the most organised and relaxed festival I’ve ever been to, the atmosphere is also the most friendly of any gig or festival I’ve seen in a while. It’s clear that the people putting this on are doing it out of love for these bands and this city,I can only hope that there will be many more years of this to come. It makes Leicester feel a very exciting place to be.

Tuesday, 14 May 2013

Happy Birthday GoldFlakePaint

As many of you probably know, I write for a music ‘site called GoldFlakePaint. Today is their 3rd birthday.

There’s an unlimited amount of music blogs/websites out there and finding a consistently decent, reliable, and enjoyable one can be a challenge. Luckily, GoldFlakePaint are there to tell us all what’s new, exciting and worth spending our precious pennies on. You might consider me bias, as obviously I write for them, but I couldn’t be prouder to be involved in what they do, because it’s genuinely brilliant.

On top of that, they’re now also hosting events, like a recent film night with a set from Scott Hutchinson of Frightened Rabbit (Kissing In Cubicles).


In an age where music writing is done by so many, quality is no longer a guarantee, but the fact a webzine like GoldFlakePaint can last this long shows that there’s hope yet.
Long may it continue.

Some of my contributions to GoldFlakePaint


Firebug Bar
28 Feb 2013

Firebug is Leicester’s cosiest and hippest pub-come-venue, always providing a wealth of interesting and exciting gigs as well as a variety of other events, such as their infamous pub quiz.
In the next few weeks and months alone this delightful place has got live music from bands including Tall Ships (Wednesday 6th March), Ace Bushy Stripteas, Evans The Death (23rd March as part of their Indie Alldayer Festival) and Bats (12th April) . Not content with this busy schedule, Firebug kicked off a brand new monthly Film Club evening on Wednesday, with a cracking double bill; Empire Records and High Fidelity, two brilliant films.

It’s pretty empty when we first arrive upstairs, but it’s worth bearing in mind that it’s only the first time they’ve done this (and we can only hope it doesn’t put them off doing awesome things like this more often), and it just means there’s even more free popcorn to go around, as well as a wider choice of seats. A couple of the people I’d invited to join me decided to go to the cinema in Highcross and take advantage of Orange Wednesdays, but when faced with a choice between supporting a truly unique and wonderful bar in a new and exciting venture (as well as a more niche selection of films), there really is no contest for me.

It’s also nice to see all the posters in Firebug for Handmade Festival, another brand new event coming to Leicester, which genuinely has one of the best line-ups of any festival I’ve ever seen (Dutch Uncles, Sky Larkin, Johnny Foreigner, We Were Promised Jetpacks, The Twilight Sad, Katie Malco, plus loads of other awesome artists!) and promises to be a fantastic weekend of music.
Coming up on 26th March at 7:00pm there’s a Mean Girls and Clueless double-bill, which is sure to get everyone excited - two truly brilliant films in one sitting. Sadly, that’s slightly after the end of term for most of us Uni of Leicester students, but if you’re intending to stick around for a bit, then make sure you attend as you’re sure to have a great time. Also, make sure you put the Evil Dead 2 vs Shaun of the Dead evening on your calendar too, on 24th April.

Read on The Ripple’s website

Monday, 15 April 2013

Fresh Licks // Doctrines ~ Daydream

Read on Goldflakepaint

Being signed to Alcopop Records is pretty much a guarantee of quality; their roster boasts an incredible blend of artists. Manchester four-piece Doctrines are no exception to this rule, they make a delicious blend of violent guitars and vibrant indie-pop melodies. Daydream is the first single from their forthcoming album and it’s available as a free download below.
The album release is accompanied by a small tour covering most of England, and judging by their sound on record, their live shows are likely to be a messy, joyous and fun affair.

Friday 10th – Travelling Man Comic Store – ANX Release Show – Manchester

Saturday 11th – The Fox And Newt – Leeds

Sunday 12th – Venue TBC (Sheffield)

Monday 13th – Venue TBC (Nottingham)

Wednesday 15th – Urban Bar Whitechapel – London

Thursday 16th – Bullingdon w/ Fight Like Apes – Oxford

Friday 17th – Pav Tav – The Great Escape, Brighton



TOTD // 090; Pure X ~ Someone Else

Read on Goldflakepaint
Atmospheric and dreamy, like something off the Twin Peaks soundtrack, Pure X mix beautiful reverb and equally beautiful guitar melodies on this is a gentle, psychedelic indie pop waltz. Painfully personal lyrics are hissed, the vocals that dodge between are delicate yet soulful, and powerful but raw (with a tonal quality and range reminiscent of Christopher Owens from the now-deceased Girls, and a touch of that particular charm Girls brought to guitar music).

This track more than stands up to repeat listening, in fact it’s of such a quality that it’s almost impossible not to keep on clicking that play button. The track is taken from the Austin three-piece’s second album ‘Crawling Up The Stairs‘, which will be released May 13th on Merok Records, and you can grab it as a free download here.